Example of Psychology of Music format
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Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format
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Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format Example of Psychology of Music format
Sample paper formatted on SciSpace - SciSpace
This content is only for preview purposes. The original open access content can be found here.
open access Open Access
recommended Recommended

Psychology of Music — Template for authors

Publisher: SAGE
Categories Rank Trend in last 3 yrs
Music #1 of 147 -
Psychology (miscellaneous) #10 of 53 up up by 2 ranks
journal-quality-icon Journal quality:
High
calendar-icon Last 4 years overview: 226 Published Papers | 752 Citations
indexed-in-icon Indexed in: Scopus
last-updated-icon Last updated: 19/06/2020
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Related Journals

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Quality:  
High
CiteRatio: 2.9
SJR: 0.964
SNIP: 1.643

Journal Performance & Insights

Impact Factor

CiteRatio

Determines the importance of a journal by taking a measure of frequency with which the average article in a journal has been cited in a particular year.

A measure of average citations received per peer-reviewed paper published in the journal.

1.712

24% from 2018

Impact factor for Psychology of Music from 2016 - 2019
Year Value
2019 1.712
2018 1.381
2017 1.275
2016 1.394
graph view Graph view
table view Table view

3.3

CiteRatio for Psychology of Music from 2016 - 2020
Year Value
2020 3.3
2019 3.3
2018 3.2
2017 2.9
2016 2.9
graph view Graph view
table view Table view

insights Insights

  • Impact factor of this journal has increased by 24% in last year.
  • This journal’s impact factor is in the top 10 percentile category.

insights Insights

  • This journal’s CiteRatio is in the top 10 percentile category.

SCImago Journal Rank (SJR)

Source Normalized Impact per Paper (SNIP)

Measures weighted citations received by the journal. Citation weighting depends on the categories and prestige of the citing journal.

Measures actual citations received relative to citations expected for the journal's category.

0.983

1% from 2019

SJR for Psychology of Music from 2016 - 2020
Year Value
2020 0.983
2019 0.972
2018 0.98
2017 0.711
2016 0.669
graph view Graph view
table view Table view

1.645

10% from 2019

SNIP for Psychology of Music from 2016 - 2020
Year Value
2020 1.645
2019 1.49
2018 1.07
2017 1.043
2016 1.205
graph view Graph view
table view Table view

insights Insights

  • SJR of this journal has increased by 1% in last years.
  • This journal’s SJR is in the top 10 percentile category.

insights Insights

  • SNIP of this journal has increased by 10% in last years.
  • This journal’s SNIP is in the top 10 percentile category.

Psychology of Music

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SAGE

Psychology of Music

Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied ...... Read More

Music

Psychology (miscellaneous)

Arts and Humanities

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Last updated on
19 Jun 2020
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ISSN
0305-7356
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Impact Factor
High - 1.448
i
Open Access
No
i
Sherpa RoMEO Archiving Policy
Green faq
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Plagiarism Check
Available via Turnitin
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Endnote Style
Download Available
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Bibliography Name
SageV
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Citation Type
Author Year
(Blonder et al., 1982)
i
Bibliography Example
Blonder, G. E., Tinkham, M., and Klapwijk, T. M. (1982). Transition from metallic to tunneling regimes in superconducting microconstrictions: Excess current, charge imbalance, and super- current conversion. Phys. Rev. B, 25(7):4515–4532.

Top papers written in this journal

Book Chapter DOI: 10.1016/B978-0-12-213562-0.50010-3
6 – Rhythm and Tempo
01 Jan 1982 - Psychology of Music

Topics:

Rhythm (59%)59% related to the paper
692 Citations
Journal Article DOI: 10.1177/0305735691192002
Music structure and emotional response: Some empirical findings.
John A. Sloboda1
01 Oct 1991 - Psychology of Music

Abstract:

Eighty-three music listeners completed a questionnaire in which thev provided information about the occurrence of a range of physical reactions while listening to music. Shivers down the spine, laughter, tears and lump in the throat were reported by over 80(% of respondents. Respondents were asked to locate specific musical p... Eighty-three music listeners completed a questionnaire in which thev provided information about the occurrence of a range of physical reactions while listening to music. Shivers down the spine, laughter, tears and lump in the throat were reported by over 80(% of respondents. Respondents were asked to locate specific musical passages that reliably evoked such responses. Structural analysis of these passages showed that tears were most reliablN evoked by passages containing sequences and appogiaturas, while shivers were most reliably evoked by passages containing new or unexpected harmonies. The data generally support theoretical approaches to elmotion based on confirmations and violations of expectancv. read more read less
679 Citations
Journal Article DOI: 10.1177/0305735607068889
The role of music in adolescents' mood regulation:
Suvi Saarikallio1, Jaakko Erkkilä
01 Jan 2007 - Psychology of Music

Abstract:

The aim of this study was the exploration and theoretical clarification of the role of music in adolescents' mood regulation. The phenomenon was approached through an inductive theory construction. The data were gathered from eight adolescents by means of group interviews and follow-up forms, and were then analysed using cons... The aim of this study was the exploration and theoretical clarification of the role of music in adolescents' mood regulation. The phenomenon was approached through an inductive theory construction. The data were gathered from eight adolescents by means of group interviews and follow-up forms, and were then analysed using constructive grounded theory methods. The analysis resulted in a theoretical model, which describes mood regulation by music as a process of satisfying personal mood-related goals through various musical activities. The general nature of the mood regulation is described, the goals and strategies of mood regulation are examined, and finally the specific role of music in mood regulation is discussed. read more read less

Topics:

Mood (59%)59% related to the paper, Grounded theory (51%)51% related to the paper
View PDF
555 Citations
Journal Article DOI: 10.1177/0305735610362821
A comparison of the discrete and dimensional models of emotion in music
Tuomas Eerola1, Jonna K. Vuoskoski1
01 Jan 2011 - Psychology of Music

Abstract:

The primary aim of the present study was to systematically compare perceived emotions in music using two different theoretical frameworks: the discrete emotion model, and the dimensional model of affect. A secondary aim was to introduce a new, improved set of stimuli for the study of music-mediated emotions. A large pilot stu... The primary aim of the present study was to systematically compare perceived emotions in music using two different theoretical frameworks: the discrete emotion model, and the dimensional model of affect. A secondary aim was to introduce a new, improved set of stimuli for the study of music-mediated emotions. A large pilot study established a set of 110 film music excerpts, half were moderately and highly representative examples of five discrete emotions (anger, fear, sadness, happiness and tenderness), and the other half moderate and high examples of the six extremes of three bipolar dimensions (valence, energy arousal and tension arousal). These excerpts were rated in a listening experiment by 116 non-musicians. All target emotions of highly representative examples in both conceptual sets were discriminated by self-ratings. Linear mapping techniques between the discrete and dimensional models revealed a high correspondence along two central dimensions that can be labelled as valence and arousal, and the three dimensions could be reduced to two without significantly reducing the goodness of fit. The major difference between the discrete and categorical models concerned the poorer resolution of the discrete model in characterizing emotionally ambiguous examples. The study offers systematically structured and rich stimulus material for exploring emotional processing. read more read less

Topics:

Valence (psychology) (55%)55% related to the paper
View PDF
547 Citations
Journal Article DOI: 10.1177/0305735696241007
Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience:
Alf Gabrielsson, Patrik N. Juslin1
01 Apr 1996 - Psychology of Music

Abstract:

Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed ... Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed with regard to their physical characteristics, e.g. tempo, dynamics, timing, and spectrum. The main findings were that (a) the performer's expressive intention had a marked effect on all analysed variables; (b) the performers showed many similarities as well as individual differences in emotion encoding; (c) listeners were generally successful in decoding the intended expression; and (d) some emotional characters seemed easier to communicate than others. The reported results imply that we are unlikely to find performance rules independent of instrument, musical style, performer, or listener. read more read less

Topics:

Emotional expression (58%)58% related to the paper, Singing (51%)51% related to the paper, Dynamics (music) (51%)51% related to the paper, Melody (50%)50% related to the paper
481 Citations
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Psychology of Music format uses SageV citation style.

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Frequently asked questions

1. Can I write Psychology of Music in LaTeX?

Absolutely not! Our tool has been designed to help you focus on writing. You can write your entire paper as per the Psychology of Music guidelines and auto format it.

2. Do you follow the Psychology of Music guidelines?

Yes, the template is compliant with the Psychology of Music guidelines. Our experts at SciSpace ensure that. If there are any changes to the journal's guidelines, we'll change our algorithm accordingly.

3. Can I cite my article in multiple styles in Psychology of Music?

Of course! We support all the top citation styles, such as APA style, MLA style, Vancouver style, Harvard style, and Chicago style. For example, when you write your paper and hit autoformat, our system will automatically update your article as per the Psychology of Music citation style.

4. Can I use the Psychology of Music templates for free?

Sign up for our free trial, and you'll be able to use all our features for seven days. You'll see how helpful they are and how inexpensive they are compared to other options, Especially for Psychology of Music.

5. Can I use a manuscript in Psychology of Music that I have written in MS Word?

Yes. You can choose the right template, copy-paste the contents from the word document, and click on auto-format. Once you're done, you'll have a publish-ready paper Psychology of Music that you can download at the end.

6. How long does it usually take you to format my papers in Psychology of Music?

It only takes a matter of seconds to edit your manuscript. Besides that, our intuitive editor saves you from writing and formatting it in Psychology of Music.

7. Where can I find the template for the Psychology of Music?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Psychology of Music's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

8. Can I reformat my paper to fit the Psychology of Music's guidelines?

Of course! You can do this using our intuitive editor. It's very easy. If you need help, our support team is always ready to assist you.

9. Psychology of Music an online tool or is there a desktop version?

SciSpace's Psychology of Music is currently available as an online tool. We're developing a desktop version, too. You can request (or upvote) any features that you think would be helpful for you and other researchers in the "feature request" section of your account once you've signed up with us.

10. I cannot find my template in your gallery. Can you create it for me like Psychology of Music?

Sure. You can request any template and we'll have it setup within a few days. You can find the request box in Journal Gallery on the right side bar under the heading, "Couldn't find the format you were looking for like Psychology of Music?”

11. What is the output that I would get after using Psychology of Music?

After writing your paper autoformatting in Psychology of Music, you can download it in multiple formats, viz., PDF, Docx, and LaTeX.

12. Is Psychology of Music's impact factor high enough that I should try publishing my article there?

To be honest, the answer is no. The impact factor is one of the many elements that determine the quality of a journal. Few of these factors include review board, rejection rates, frequency of inclusion in indexes, and Eigenfactor. You need to assess all these factors before you make your final call.

13. What is Sherpa RoMEO Archiving Policy for Psychology of Music?

SHERPA/RoMEO Database

We extracted this data from Sherpa Romeo to help researchers understand the access level of this journal in accordance with the Sherpa Romeo Archiving Policy for Psychology of Music. The table below indicates the level of access a journal has as per Sherpa Romeo's archiving policy.

RoMEO Colour Archiving policy
Green Can archive pre-print and post-print or publisher's version/PDF
Blue Can archive post-print (ie final draft post-refereeing) or publisher's version/PDF
Yellow Can archive pre-print (ie pre-refereeing)
White Archiving not formally supported
FYI:
  1. Pre-prints as being the version of the paper before peer review and
  2. Post-prints as being the version of the paper after peer-review, with revisions having been made.

14. What are the most common citation types In Psychology of Music?

The 5 most common citation types in order of usage for Psychology of Music are:.

S. No. Citation Style Type
1. Author Year
2. Numbered
3. Numbered (Superscripted)
4. Author Year (Cited Pages)
5. Footnote

15. How do I submit my article to the Psychology of Music?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Psychology of Music's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

16. Can I download Psychology of Music in Endnote format?

Yes, SciSpace provides this functionality. After signing up, you would need to import your existing references from Word or Bib file to SciSpace. Then SciSpace would allow you to download your references in Psychology of Music Endnote style according to Elsevier guidelines.

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