Example of Studies in Eastern European Cinema format
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Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format
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Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format Example of Studies in Eastern European Cinema format
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This content is only for preview purposes. The original open access content can be found here.
open access Open Access

Studies in Eastern European Cinema — Template for authors

Publisher: Taylor and Francis
Categories Rank Trend in last 3 yrs
Visual Arts and Performing Arts #337 of 532 down down by None rank
Communication #362 of 426 down down by None rank
journal-quality-icon Journal quality:
Medium
calendar-icon Last 4 years overview: 75 Published Papers | 9 Citations
indexed-in-icon Indexed in: Scopus
last-updated-icon Last updated: 15/07/2020
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Related Journals

open access Open Access
recommended Recommended

Taylor and Francis

Quality:  
High
CiteRatio: 0.7
SJR: 0.25
SNIP: 1.245
open access Open Access
recommended Recommended

Taylor and Francis

Quality:  
High
CiteRatio: 2.1
SJR: 0.822
SNIP: 1.5
open access Open Access

SAGE

Quality:  
Good
CiteRatio: 0.4
SJR: 0.124
SNIP: 0.621
open access Open Access

SAGE

Quality:  
Good
CiteRatio: 0.4
SJR: 0.157
SNIP: 0.76

Journal Performance & Insights

CiteRatio

SCImago Journal Rank (SJR)

Source Normalized Impact per Paper (SNIP)

A measure of average citations received per peer-reviewed paper published in the journal.

Measures weighted citations received by the journal. Citation weighting depends on the categories and prestige of the citing journal.

Measures actual citations received relative to citations expected for the journal's category.

0.1

50% from 2019

CiteRatio for Studies in Eastern European Cinema from 2016 - 2020
Year Value
2020 0.1
2019 0.2
graph view Graph view
table view Table view

0.126

26% from 2019

SJR for Studies in Eastern European Cinema from 2019 - 2020
Year Value
2020 0.126
2019 0.1
graph view Graph view
table view Table view

0.835

6% from 2019

SNIP for Studies in Eastern European Cinema from 2019 - 2020
Year Value
2020 0.835
2019 0.791
graph view Graph view
table view Table view

insights Insights

  • CiteRatio of this journal has decreased by 50% in last years.
  • This journal’s CiteRatio is in the top 10 percentile category.

insights Insights

  • SJR of this journal has increased by 26% in last years.
  • This journal’s SJR is in the top 10 percentile category.

insights Insights

  • SNIP of this journal has increased by 6% in last years.
  • This journal’s SNIP is in the top 10 percentile category.
Studies in Eastern European Cinema

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Taylor and Francis

Studies in Eastern European Cinema

Approved by publishing and review experts on SciSpace, this template is built as per for Studies in Eastern European Cinema formatting guidelines as mentioned in Taylor and Francis author instructions. The current version was created on 15 Jul 2020 and has been used by 971 authors to write and format their manuscripts to this journal.

i
Last updated on
15 Jul 2020
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ISSN
2040-350X
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Open Access
Not provided
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Sherpa RoMEO Archiving Policy
Green faq
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Plagiarism Check
Available via Turnitin
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Endnote Style
Download Available
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Bibliography Name
Taylor and Francis Custom Citation
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Citation Type
Numbered
[25]
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Bibliography Example
Blonder GE, Tinkham M, Klapwijk TM. Transition from metallic to tunneling regimes in superconducting microconstrictions: Excess current, charge imbalance, and supercurrent conversion. Phys Rev B. 1982; 25(7):4515–4532. Available from: 10.1103/PhysRevB.25.4515.

Top papers written in this journal

Journal Article DOI: 10.1386/SEEC.1.1.43/1
‘Cinema of normalization’: changes of stylistic model in post-Yugoslav cinema after the 1990s
Jurica Pavičić1

Abstract:

The topic of this article is the change of stylistic dominant in the national cinemas of post-Yugoslav countries after the year 2000 and the huge political changes in Croatia and Serbia. In all post-Yugoslav states this was a period of political, social and economic changes, which is usually named by a common denominator: ‘no... The topic of this article is the change of stylistic dominant in the national cinemas of post-Yugoslav countries after the year 2000 and the huge political changes in Croatia and Serbia. In all post-Yugoslav states this was a period of political, social and economic changes, which is usually named by a common denominator: ‘normalization’. The objects of my analysis are three films coming from Bosnia and Herzegovina, Serbia and Croatia. All these films: Grbavica/Esma's Secret (Jasmila Žbanic), Apsolutnih 100/Absolute 100 (Srdan Golubovic) and Armin (Ognjen Svilicic) share many stylistic and thematic similarities. All three films break, implicitly or explicitly, with the tradition of Yugoslav cinema of the 1990s and the notion of ‘Balkan cinema’, inherited by auteurs like Kusturica or Dragojevic. Some of them even include a metafilmic critique of that model. These three films are examples of the broader stylistic shift, which is connected with political and social changes. Therefore, the new stylist... read more read less

Topics:

Movie theater (52%)52% related to the paper
22 Citations
Journal Article DOI: 10.1386/SEEC.1.1.5/1
Eastern European cinema: old and new approaches
Ewa Mazierska1

Abstract:

This opening article looks at the changing ways of conceptualizing Eastern Europe as a region, particularly since the political changes of 1989. This is discussed alongside the changes and emerging trends in more recent scholarship on Eastern European cinema. This opening article looks at the changing ways of conceptualizing Eastern Europe as a region, particularly since the political changes of 1989. This is discussed alongside the changes and emerging trends in more recent scholarship on Eastern European cinema. read more read less

Topics:

Eastern european (70%)70% related to the paper, Scholarship (52%)52% related to the paper, Chronotope (50%)50% related to the paper
15 Citations
Journal Article DOI: 10.1080/2040350X.2015.1051822
Leave to live? Placeless people in contemporary Hungarian and Romanian films of return
Hajnal Király1

Abstract:

This article aims to discuss the topic of migration in a corpus of contemporary Hungarian and Romanian films, with a focus on the spatial dynamics of characters trapped between institutions, places and countries. After a short outline of the historical, cultural and political backgrounds of the two cinemas, I proceed with des... This article aims to discuss the topic of migration in a corpus of contemporary Hungarian and Romanian films, with a focus on the spatial dynamics of characters trapped between institutions, places and countries. After a short outline of the historical, cultural and political backgrounds of the two cinemas, I proceed with describing the places these films represent, relying on concepts formulated by Michel Foucault, Marc Auge and Nicolas Bourriaud, among others. With the help of these sociological and cultural approaches adjusting to a fast-changing globalized world, I propose to reveal the issues raised by transnational mobility in societies still torn between East and West, tradition and modernization, a phenomenon reflected in co-productions, filmic heterotopias and a new type of artist: the radicant. read more read less

Topics:

Movie theater (50%)50% related to the paper
15 Citations
open accessOpen access Journal Article DOI: 10.1080/2040350X.2021.1964218
Eastern European film festivals: streaming through the covid-19 pandemic
Jan Hanzlík1, Jan Hanzlík2, Ewa Mazierska3

Abstract:

The Covid-19 pandemic disrupted virtually all domains of the film industry, from the production, through distribution to exhibition of films. As opposed to flourishing VOD platforms, cinemas have been hit particularly hard and with them film festivals, which had to choose between postponing their terms, becoming online or hyb... The Covid-19 pandemic disrupted virtually all domains of the film industry, from the production, through distribution to exhibition of films. As opposed to flourishing VOD platforms, cinemas have been hit particularly hard and with them film festivals, which had to choose between postponing their terms, becoming online or hybrid, or being cancelled altogether. The article focuses on festivals that either take place in Eastern Europe or are focused on the cinema of the region. It first briefly outlines the history of film festivals in Eastern Europe, then it summarizes the impact of the Covid-19 pandemic on cinemas and VOD platforms and finally presents three case studies of festivals and their activities during the pandemic. The three festivals streamed at least some films from their programmes and endorsed other activities, such as online industry events, drive-in cinemas and Virtual Reality events. The study concludes that the degree to which film festivals could successfully take place during the pandemic depended more on the type of festival than on its geographical location or geographical focus. Eastern European festivals were not lagging behind the West in this respect and many European festivals were, in fact, cooperating and learning from one another. read more read less

Topics:

Eastern european (59%)59% related to the paper, Film industry (55%)55% related to the paper, Film studies (55%)55% related to the paper, Movie theater (51%)51% related to the paper
12 Citations
Journal Article DOI: 10.1080/2040350X.2018.1435204
Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema
Vesi Vuković1

Abstract:

The aim of this study is to reveal how women are represented in the Yugoslav New Film and Black Wave films. I argue that they show a recurring pattern of rape. I interpret a raped woman in Yugoslav... The aim of this study is to reveal how women are represented in the Yugoslav New Film and Black Wave films. I argue that they show a recurring pattern of rape. I interpret a raped woman in Yugoslav... read more read less

Topics:

Representation (politics) (51%)51% related to the paper
10 Citations
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Studies in Eastern European Cinema format uses Taylor and Francis Custom Citation citation style.

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Frequently asked questions

1. Can I write Studies in Eastern European Cinema in LaTeX?

Absolutely not! Our tool has been designed to help you focus on writing. You can write your entire paper as per the Studies in Eastern European Cinema guidelines and auto format it.

2. Do you follow the Studies in Eastern European Cinema guidelines?

Yes, the template is compliant with the Studies in Eastern European Cinema guidelines. Our experts at SciSpace ensure that. If there are any changes to the journal's guidelines, we'll change our algorithm accordingly.

3. Can I cite my article in multiple styles in Studies in Eastern European Cinema?

Of course! We support all the top citation styles, such as APA style, MLA style, Vancouver style, Harvard style, and Chicago style. For example, when you write your paper and hit autoformat, our system will automatically update your article as per the Studies in Eastern European Cinema citation style.

4. Can I use the Studies in Eastern European Cinema templates for free?

Sign up for our free trial, and you'll be able to use all our features for seven days. You'll see how helpful they are and how inexpensive they are compared to other options, Especially for Studies in Eastern European Cinema.

5. Can I use a manuscript in Studies in Eastern European Cinema that I have written in MS Word?

Yes. You can choose the right template, copy-paste the contents from the word document, and click on auto-format. Once you're done, you'll have a publish-ready paper Studies in Eastern European Cinema that you can download at the end.

6. How long does it usually take you to format my papers in Studies in Eastern European Cinema?

It only takes a matter of seconds to edit your manuscript. Besides that, our intuitive editor saves you from writing and formatting it in Studies in Eastern European Cinema.

7. Where can I find the template for the Studies in Eastern European Cinema?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Studies in Eastern European Cinema's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

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Of course! You can do this using our intuitive editor. It's very easy. If you need help, our support team is always ready to assist you.

9. Studies in Eastern European Cinema an online tool or is there a desktop version?

SciSpace's Studies in Eastern European Cinema is currently available as an online tool. We're developing a desktop version, too. You can request (or upvote) any features that you think would be helpful for you and other researchers in the "feature request" section of your account once you've signed up with us.

10. I cannot find my template in your gallery. Can you create it for me like Studies in Eastern European Cinema?

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11. What is the output that I would get after using Studies in Eastern European Cinema?

After writing your paper autoformatting in Studies in Eastern European Cinema, you can download it in multiple formats, viz., PDF, Docx, and LaTeX.

12. Is Studies in Eastern European Cinema's impact factor high enough that I should try publishing my article there?

To be honest, the answer is no. The impact factor is one of the many elements that determine the quality of a journal. Few of these factors include review board, rejection rates, frequency of inclusion in indexes, and Eigenfactor. You need to assess all these factors before you make your final call.

13. What is Sherpa RoMEO Archiving Policy for Studies in Eastern European Cinema?

SHERPA/RoMEO Database

We extracted this data from Sherpa Romeo to help researchers understand the access level of this journal in accordance with the Sherpa Romeo Archiving Policy for Studies in Eastern European Cinema. The table below indicates the level of access a journal has as per Sherpa Romeo's archiving policy.

RoMEO Colour Archiving policy
Green Can archive pre-print and post-print or publisher's version/PDF
Blue Can archive post-print (ie final draft post-refereeing) or publisher's version/PDF
Yellow Can archive pre-print (ie pre-refereeing)
White Archiving not formally supported
FYI:
  1. Pre-prints as being the version of the paper before peer review and
  2. Post-prints as being the version of the paper after peer-review, with revisions having been made.

14. What are the most common citation types In Studies in Eastern European Cinema?

The 5 most common citation types in order of usage for Studies in Eastern European Cinema are:.

S. No. Citation Style Type
1. Author Year
2. Numbered
3. Numbered (Superscripted)
4. Author Year (Cited Pages)
5. Footnote

15. How do I submit my article to the Studies in Eastern European Cinema?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Studies in Eastern European Cinema's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

16. Can I download Studies in Eastern European Cinema in Endnote format?

Yes, SciSpace provides this functionality. After signing up, you would need to import your existing references from Word or Bib file to SciSpace. Then SciSpace would allow you to download your references in Studies in Eastern European Cinema Endnote style according to Elsevier guidelines.

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