Petri Laukka

TL;DR: A review of 104 studies of vocal expression and 41 studies of music performance reveals similarities between the two channels concerning (a) the accuracy with which discrete emotions were communicated to listeners and (b) the emotion-specific patterns of acoustic cues used to communicate each emotion as mentioned in this paper.

TL;DR: A basic standard acoustic parameter set for various areas of automatic voice analysis, such as paralinguistic or clinical speech analysis, is proposed and intended to provide a common baseline for evaluation of future research and eliminate differences caused by varying parameter sets or even different implementations of the same parameters.

TL;DR: An up-to-date overview of theory and research concerning expression, perception, and induction of emotion in music can be found in this paper, where a critique of this research is provided.

TL;DR: In this paper, a questionnaire was sent to a random sample of 500 community living older adults in Sweden (aged 65-75 years) to assess uses of music in everyday life: frequency of listening, situations where music is encountered, emotional responses to music, and motives for listening (i.e., listening strategies).

TL;DR: In this article, actors vocally portrayed happiness, sadness, anger, fear, disgust, and disgust with weak and strong emotion intensity while reading brief verbal phrases aloud, and listeners decoded each portrayal by using forced-choice or quantitative ratings.