Hand and Mind: What Gestures Reveal about Thought. David McNeill. Chicago and London: University of Chicago Press, 1992. 416 pp.

Hand and Mind: What Gestures Reveal about Thought

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Sequence Organization In Interaction A Primer In Conversation Analysis

The World Atlas of Language Structures Online

Text-to-Speech Synthesis provides a complete, end-to-end account of the process of generating speech by computer. Giving an in-depth explanation of all aspects of current speech synthesis technology, it assumes no specialized prior knowledge. Introductory chapters on linguistics, phonetics, signal processing and speech signals lay the foundation, with subsequent material explaining how this knowledge is put to use in building practical systems that generate speech. Including coverage of the very latest techniques such as unit selection, hidden Markov model synthesis, and statistical text analysis, explanations of the more traditional techniques such as format synthesis and synthesis by rule are also provided. Weaving together the various strands of this multidisciplinary field, the book is designed for graduate students in electrical engineering, computer science, and linguistics. It is also an ideal reference for practitioners in the fields of human communication interaction and telephony.

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Text-to-Speech Synthesis

Although the field of sociolinguistics has witnessed a growing interest in the sociophonetic aspects of segmental and intonational variation, few studies have examined variation in voice quality. This paper addresses the gap by investigating the stylistic use of falsetto phonation. Focusing on the speech of Heath, a speaker exhibiting considerable cross-situational variation, I show that when attending a barbecue with friends, Heath’s falsetto is more frequent, longer, and characterized by higher fundamental frequency (f0) levels and wider f0 ranges. Advancing recent approaches to variation which treat linguistic features as stylistic resources for constructing social meaning, I draw on an analysis of the discourse contexts in which falsetto appears to illustrate that the feature carries expressive connotations. This meaning is employed to construct a ‘diva’ persona and may also participate in building a gay identity.

/pdf/phonation-type-as-a-stylistic-variable-the-use-of-falsetto-29ov96wg5k.pdf

Phonation type as a stylistic variable : The use of falsetto in constructing a persona

Finnish talk-in-interaction is shown to use creak and glottal stops distinctively. Creak has turn-yielding functions, and glottal stops have turn-holding functions. Rather than either intuition or the use of large corpora with no attention to the interactional function in which the talk is embedded, the methodology used is that of interactional linguistics (e.g. Couper-Kuhlen & Selting 1996 for a prosodic approach), which places emphasis on demonstrating participants' local orientation to linguistic categories within interactional sequences.

Turn transition, creak and glottal stop in Finnish talk-in-interaction

Phonetics and social action in agreements and disagreements

1. Introduction 2. Overview of the human speech mechanism 3. Representing speech 4. Voicing 5. Vowels 6. Approximants 7. Plosives 8. Nasals 9. Fricatives 10. Airstreams 11. Sounds and structures Glossary

An Introduction to English Phonetics

Clicks are known to occur in English conversation, and have traditionally been assumed to convey affective meaning, generally negative. This is indeed the lay interpretation of clicks. In this paper, we build on the work of Wright (2011a, b), who shows that clicks are also used in the management of sequences of talk. Firstly, we consider similarities and differences in the production of clicks and percussives. We consider some distributional properties of clicks in one variety of English. Drawing on a wide range of conversational data from Britain and the USA, we show some of the functions of clicks and percussives in conversation, which include stance-taking and sequence management (projection of a turn constructional unit and word-search), and handling aspects of timing between turns. We also consider some of the visual behaviours that may accompany clicks. The meaning or function of clicks and percussives, it is argued, must be considered in a fuller interactional context.

Richard Ogden

Papers

Turn transition, creak and glottal stop in Finnish talk-in-interaction

Phonetics and social action in agreements and disagreements

An Introduction to English Phonetics

Clicks and percussives in English conversation

Non-modal voice quality and turn-taking in Finnish