An essential addition to any serious theological library. David Tracy introduces his influential concept of the "classic," as well as his idea of the difference between analogical and other ways of viewing the life of faith. He looks at the culture of pluralism, examining the main differences in the world's theological doctrines.

The analogical imagination:christian theology and the culture of pluralism

The period of heightened nationalism in the United States that followed the terrorist attacks of 11 September 2001 provided unusual conditions for investigating issues surrounding the distinction between patriotism and nationalism and the relationship between national identification and pluralistic values. In a survey of national identity and social attitudes conducted in late September 2001, two different definitions of national unity were inserted in the introduction to the questionnaire in an attempt to prime activation of different conceptualizations of nationality. Results demonstrated that the priming conditions did have an effect on the pattern of interrelationships among measures of patriotism, nationalism, and tolerance for cultural diversity.

https://www.jstor.org/stable/pdfplus/3792341.pdf

What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11

https://cdr.lib.unc.edu/downloads/sb3978970

Reconstructing Israel: Restoration Eschatology in Early Judaism and Paul's Gentile Mission

This article introduces comic books as a medium through which national identity and geopolitical scripts are narrated. This extension of the popular geopolitics literature uses the example of post-11 September 2001 (“9/11”) Captain America comic books to integrate various strands of theory from political geography and the study of nationalism to break new ground in the study of popular culture, identity, and geopolitics. The article begins with an introduction to the character of Captain America and a discussion of the role he plays in the rescaling of American identity and the institutionalization of the nation's symbolic space. The article continues by showing how visual representations of American landscapes in Captain America were critical to constructing geopolitical “realities.” A reading of post-9/11 issues of the Captain America comic book reveals a nuanced and ultimately ambiguous geopolitical script that interrogates America's post-9/11 territorialization.

/pdf/captain-america-s-empire-reflections-on-identity-popular-lu23lytte1.pdf

Captain America's Empire: Reflections on Identity, Popular Culture, and Post‐9/11 Geopolitics

This essay rejects media‐fostered stereotypes of Star Trek fans as cultural dupes, social misfits, or mindless consumers, perceiving them, in Michel de Certeau's term, as “poachers” of textual meanings who appropriate popular texts and reread them in a fashion that serves different interests. Specifically, the essay considers women who write fiction based in the Star Trek universe. First, it outlines how these fans force the primary text to accommodate alternate interests. Second, it considers the issue of literary property in light of the moral economy of the fan community that shapes the range of permissible retellings of the program materials.

Star Trek rerun, reread, rewritten: Fan writing as textual poaching

New title in the highly acclaimed "Hermeneia" series, this work explores the important and controversial passages within Romans. This is the first commentary to interpret Romans within the imperial context as well as in the light of the situation in Spain. It includes fresh insights from the: archaeology of the city of Rome; social history of early Christianity; social-scientific work on early Christianity; and, interpretation and reception of Paul's letter through the ages. It focuses on Paul's missionary plans and how his letter reframes the system of honour and shame as it informed life in the Roman empire at the time. Written by a European author, it is a landmark commentary.

Romans: A Commentary

From the Superman of comic books to Hollywood's big-screen action stars, Americans have long enjoyed a love affair with the superhero. In this engaging volume John Shelton Lawrence and Robert Jewett explore the historical and spiritual roots of the superhero myth and its deleterious effect on Americas democratic vision. Arguing that the superhero is the antidemocratic counterpart of the classical monomyth described by Joseph Campbell, the authors show that the American version of the monomyth derives from tales of redemption. In settings where institutions and elected leaders always fail, the American monomyth offers heroes who combine elements of the selfless servant with the lone, zealous crusader who destroys evil. Taking the law into their own hands, these unelected figures assume total power to rid the community of its enemies, thus comprising a distinctively American form of pop fascism. Drawing widely from books, films, TV programs, video games, and places of superhero worship on the World Wide Web, the authors trace the development of the American superhero during the twentieth century and expose the mythic patterns behind the most successful elements of pop culture. Lawrence and Jewett challenge readers to reconsider the relationship of this myth to traditional religious and social values, and they show how, ultimately, these antidemocratic narratives gain the spiritual loyalties of their audiences, in the process inviting them to join in crusades against evil. Finally, the authors pose this provocative question: Can we take a holiday from democracy in our lives of fantasy and entertainment while preserving our commitment to democratic institutions and waysof life?

The Myth of the American Superhero

Paul's anthropological terms : a study of their use in conflict settings

https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0028688500015599

Robert Jewett

Papers

Romans: A Commentary

The Myth of the American Superhero

Paul's anthropological terms : a study of their use in conflict settings

The Agitators and the Galatian Congregation

The American Monomyth