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Journal ArticleDOI

From the box in the corner to the box set on the shelf: 'TVIII' and the cultural/textual valorisations of DVD

Matthew Hills
- 23 Mar 2007 - 
- Vol. 5, Iss: 1, pp 41-60
TLDR
The role of DVD releases in relation to TVIII can also be discussed in this article, where the authors analyse how DVD releases bid for television's cultural value, especially by recontextualising TV series as symbolically bounded art objects rather than as interruptible components within TV's ceaseless "flow".
Abstract
This paper considers the role of DVD releases in relation to TVIII. As well as moving towards multi‐platform and hence transmedial versions of ‘television’, TVIII can also be linked to the provision of selected TV shows as material consumer artefacts—DVD box sets—which frequently emphasise values of ‘completeness’ and ‘collectability’ (Kompare, Rerun Nation, Routledge, New York and London, 2005). I analyse how DVD releases bid for television's cultural value, especially by re‐contextualising TV series as symbolically bounded art objects rather than as interruptible components within TV's ceaseless ‘flow’. I discuss this as the ‘text‐function’ of DVD, suggesting that whilst much ‘ordinary TV’ (Bonner, Ordinary Television: Analyzing Popular TV, Sage, London, 2003) is marginalised by not being made available on DVD, cult and quality TV tend to be over‐represented categories within DVD release patterns. As such, DVDs partly work to reinforce TV canons (Bignell, New Review of Film and Television Studies, vol. 3, no. 1, pp. 15–32, 2005), as well as promoting ‘close reading’ of ‘isolated texts’. Furthermore, DVD commentaries typically, though not always, work to reinforce discourses of TV auteurism—again operating as cultural and textual elevations of ‘mere television’.

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Journal ArticleDOI

Is this TVIV? On Netflix, TVIII and binge-watching

Mareike Jenner
- 01 Feb 2016 - 
TL;DR: This article considers Netflix-produced season 4 of Arrested Development as a case study to explore how Netflix positions itself in relation to contemporary ‘quality’ and ‘cult’ TV and associated viewing practices and draws on theories of post-postmodern capitalism to understand its function within a broader socio-political context.
Journal ArticleDOI

Binge-watching: Video-on-demand, quality TV and mainstreaming fandom:

TL;DR: In this paper, the authors explore the concept of the binge-watching as viewing protocol associated with fan practices, industry practice and linked to "cult" and "quality" serialised content.
Dissertation

Exploring abjection in twenty-first century ‘quality’ TV horror and the abject spectrums of its online fan audiences

James Rendell
TL;DR: Gillan et al. as discussed by the authors explored the cultural and subtextual meaning of TV horror, evidencing how graphic horror is implemented as a discursive marker of quality TV aesthetics within specific production and (trans)national contexts.
Journal ArticleDOI

Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany

TL;DR: The results of two different audience studies dealing with the use of VoD-platforms in Germany and the online use of television drama series of individuals and couples are summarized to shed light on the future of television.
Journal ArticleDOI

Contemporary Quality TV: The Entertainment Experience of Complex Serial Narratives

TL;DR: In this paper, the authors define the concept of quality serial television, give a brief history of its development, systematizing its characteristics, and modeling the entertainment experience, and argue that quality TV as a culturally bound, discursive construct functions as a meta-genre with concrete implications for selection, experience and possible effects of entertaining quality TV.
References
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Book

Television: Technology and Cultural Form

TL;DR: Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules as discussed by the authors.
Book

Paratexts: Thresholds of Interpretation

TL;DR: The author explains the author's motivation for writing the preface, which addressed the "preference situation of communication" in the aftermath of the 9/11 attacks and its consequences.
Book

Television and everyday life

TL;DR: In this paper, the authors discuss the Suburbanization of the public sphere and the Tele-Technological System 5. Television and Consumption 6. On the Audience 7. Television, Ontology and the Transitional Object
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