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Take me seriously. Now laugh at me! How gender influences the creation of contemporary physical comedy

Bridget Boyle
- 09 Apr 2015 - 
- Vol. 6, Iss: 1, pp 78-90
TLDR
This article unpacked the complexities of the female comic project, focusing on the creation of physical comedy, via multiple readings of the term "serious" and found that women are too concerned with the grave importance of their reproductive responsibility to make good comedy.
Abstract
This paper unpacks some of the complexities of the female comic project, focusing on the creation of physical comedy, via multiple readings of the term ‘serious’. Does female desire to be taken seriously in the public realm compromise female-driven comedy? Historically, female seriousness has been a weapon in the hands of such female-funniness sceptics as the late Christopher Hitchens, who (in)famously declared that women are too concerned with the grave importance of their reproductive responsibility to make good comedy. The dilemma is clear: for the woman attempting to elicit laughs, she is not serious enough outside the home, and far too serious inside it.

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Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television:

TL;DR: In this article, the authors examine the female-centered dramedy as a current genre of U.S.-American television culture, focusing on the series "Girls" (2012-2017), "Fleabag" (2016), and "Insecure" (2017).

Contemporary Theatre Review

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Inappropriate Laughter : Affective Homophily and the Unlikely Comedy of #MeToo

TL;DR: The authors investigates the affective and ambiguous dynamics of feminist humor as an unexpected strategy of resistance in connection with #MeToo, asking what laughter may do to the sharpness of n...
Dissertation

Approaches to surveillance in contemporary British television comedy

TL;DR: In this article, the authors examine four British comedy programmes, Scot Squad, People Just Do Nothing, Mrs Brown's Boys and Miranda, and argue that comedy provides a space for resistance to the surveillance society and, as such, adds evidence to the idea that comedy has potential as radical opposition to power.
References
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Journal ArticleDOI

Discipline and Punish: The Birth of the Prison

Robert D'Amico
- 20 Jun 1978 - 
TL;DR: In this paper, the authors present La Volonté de Savoir, the methodological introduction of a projected five-volume history of sexuality, which seems to have a special fascination for Foucault: the gradual emergence of medicine as an institution, the birth of political economy, demography and linguistics as human sciences, the invention of incarceration and confinement for the control of the "other" in society (the mad, the libertine, the criminal) and that special violence that lurks beneath the power to control discourse.
Book

Powers of Horror: An Essay on Abjection

TL;DR: In this article, the authors present an approach approaching abjection, from filth to defilement, from Filth to Defilement and something to be scared of.
Book

Unbearable Weight: Feminism, Western Culture, and the Body

Susan Bordo
TL;DR: In this article, Bordo explores our tortured fascination with food, hunger, desire, and control, and its effects on women's lives, and untangles the myths, ideologies, and pathologies of the modern female body.