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"What is the History of Books?" Revisited

Robert Darnton
- 01 Nov 2007 - 
- Vol. 4, Iss: 03, pp 495-508
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TLDR
In the first person singular, this paper revisited the essay "What Is the History of Books?" and found that the history of books was suffering from fissiparousness: experts were pursuing such specialized studies that they were losing contact with one another.
Abstract
Having accepted the invitation to revisit my essay of 1982, “What Is the History of Books?”, I find that I can do it only in the first person singular and therefore must ask to be excused for indulging in some autobiographical detail. I would also like to make a disclaimer: in proposing a model for studying the history of books twenty-four years ago, I did not mean to tell book historians how they ought to do their jobs. I hoped that the model might be useful in a heuristic way and never thought of it as comparable to the models favored by economists, the kind in which you insert data, work it over, and arrive at a bottom line. (I do not believe that bottom lines exist in history.) It seemed to me in 1982 that the history of books was suffering from fissiparousness: experts were pursuing such specialized studies that they were losing contact with one another. The esoteric elements of book history needed to be integrated into an overview that would show how the parts could connect to form a whole—or what I characterized as a communications circuit. The tendency toward fragmentation and specialization still exists.

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Journal ArticleDOI

The Enkindling Reciter: E-Books in the Bibliographical Imagination

Alan Galey
- 01 Jan 2012 - 
TL;DR: The authors explored the dual nature of that challenge and outlined some principles toward the bibliographical study of e-books, taking the Canadian novel The Sentimentalists (Gaspereau Press, 2009) as a test case.
Journal ArticleDOI

The case for books: past, present and future

TL;DR: The case for books as mentioned in this paper is a book about books, a book-about-a-book series of essays published by Robert Darnton in the early 1970s, with a focus on the conhecimento impresso.
Dissertation

Performing authenticity: James Hogg and the portable short story

TL;DR: The authors argue that authenticity is a performative function of text and form, rather than a natural essence of authorship and authorial biography, and the performance of authenticity functions within and through the Hoggian short story's characteristic portability.
MonographDOI

The Arabic Print Revolution: Cultural Production and Mass Readership

TL;DR: Ayalon as mentioned in this paper explores the advent of printing and publishing; the formation of mass readership; and the creation of distribution channels, the vital and often overlooked nexus linking the former two processes.
Trending Questions (1)
What is the history of coockbooks?

The provided paper does not mention the history of cookbooks.