Journal•ISSN: 1524-2226
Journal of Popular Music Studies
Wiley
About: Journal of Popular Music Studies is an academic journal published by Wiley. The journal publishes majorly in the area(s): Popular music & Computer science. It has an ISSN identifier of 1524-2226. Over the lifetime, 592 publications have been published receiving 2756 citations. The journal is also known as: JPMS.
Topics: Popular music, Computer science, Icon, Politics, Citation
Papers published on a yearly basis
Papers
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TL;DR: Earl Grey Back to My Roots as discussed by the authors is a personal ride through some of Earl Grey's musical influences that takes jazzy, early morning, Detroit techno and filters it through the least amount of drum and bass essentials needed.
Abstract: Earl Grey Back to My Roots As the title implies, this is a personal ride through some of Earl Grey's musical influences. Grey takes jazzy, early morning, Detroit techno and filters it through the least amount of drum and bass essentials needed. It may take a little to come down to this pure high after a night of Ed Rush, but it's worth the descent. Techno producer Dave Angel's B-side mix is my favorite because of its uplifting synths and aquatic house feel. When's the last time, you heard those adjectives used to describe jungle? Roker A record review originally printed in Urb, a magazine that covers electronic/dance music
131 citations
74 citations
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TL;DR: Cyrus as discussed by the authors performed twerking in a Facebook video that went viral in March 2013, a subversion of the history, complexity, and meaningfulness of the black social dance and the role black females played/played in it.
Abstract: The moment former Disney star and mega-artist Miley Cyrus performed
“twerking” in a Facebook video that went viral in March 2013, a subversion of the history, complexity, and meaningfulness of the black social dance
and the role black females play/played in it began.1 The fine-tuned spectacle
of “We Can’t Stop” at the MTV VMAs on August 26, 2013, sent a surge
of attention through the networked co-cultures of YouTube’s video-sharing
and vlogging ecologies. The song was Cyrus’s new album single released
two months earlier on June 19, 2013, via the MileyCyrusVEVO channel. By
February 13, 2014, it had accrued 332,269,738 views, nearly as many views
as Nicki Minaj’s 2011 hit “Super Bass,” positioned at number 30 on the new
YouTube/Billboard Charts established in June 2013. By March 2015, “We
Can’t Stop” had reached over 523 million views, which is equivalent to 287
years of watch time by YouTubers.
45 citations