scispace - formally typeset
Journal ArticleDOI

David Lewin and maximally even sets

Emmanuel Amiot
- 10 Dec 2007 - 
- Vol. 1, Iss: 3, pp 157-172
TLDR
This paper formally proves and expands one of the numerous innovative ideas published by Ian Quinn in his dissertation, to the import that Lewin might have invented the much later notion of Maximally Even Sets with but a small extension of his very first published idea, where he made use of Discrete Fourier Transform to investigate the intervallic differences between two pc-sets.
Abstract
David Lewin originated an impressive number of new ideas in musical formalized analysis. This paper formally proves and expands one of the numerous innovative ideas published by Ian Quinn in his dissertation, to the import that Lewin might have invented the much later notion of Maximally Even Sets with but a small extension of his very first published idea, where he made use of Discrete Fourier Transform (DFT) to investigate the intervallic differences between two pc-sets. Many aspects of Maximally Even Sets (ME sets) and, more generally, of generated scales, appear obvious from this original starting point, which deserves, in our opinion, to become standard. In order to vindicate this opinion, we develop a complete classification of ME sets starting from this new definition. As a pleasant by-product we mention a neat proof of the hexachord theorem, which might have been the motivation for Lewin's use of DFT in pc-sets in the first place. The nice inclusion property between a ME set and its compl...

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Citations
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Journal ArticleDOI

Computational geometric aspects of rhythm, melody, and voice-leading

TL;DR: The interaction between computational geometry and music yields new insights into the theories of rhythm, melody, and voice-leading, as well as new problems for research in several areas, ranging from mathematics and computer science to music theory, music perception, and musicology.
Book ChapterDOI

The Torii of phases

TL;DR: In this article, the existence, meaning and use of the phases of the Fourier coefficients of PC-sets are explored as maps from ℤ c to Open image in new window.
Book ChapterDOI

Applications of DFT to the Theory of Twentieth-Century Harmony

TL;DR: This paper investigates pcset “arithmetic” – subset structure, transpositional combination, and interval content – through the lens of the DFT, and discusses relationships between interval classes and DFT magnitudes, and considers special properties of dyads, pcset products, and generated collections.
Journal ArticleDOI

Exploring the space of perfectly balanced rhythms and scales

TL;DR: This article identifies and discusses a novel organizational principle for scales and rhythms that is of both theoretical interest and practical utility: perfect balance, and explores its mathematical ramifications by linking the existing theorems to algebraic number theory and computational optimizations.
Book ChapterDOI

WF Scales, ME Sets, and Christoffel Words

TL;DR: In this paper, the authors translate between the language of two closely related scale theories and that of the theory of words, and the purpose of this paper is to translate between these two languages.
References
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Book

Generalized Musical Intervals and Transformations

David Lewin
TL;DR: Gollin this paper introduced the notion of modular and harmonious gisstrUCTures in the history of the theory of ontology, and used it to describe the structure of non-commutative OCTATONIC grids.
Journal ArticleDOI

Maximally Even Sets

Book

Basic atonal theory

John Rahn
Journal ArticleDOI

Aspects of Well-Formed Scales

TL;DR: In this paper, the authors define well-formedness as the relationship between the order in which a single interval generates the elements of a pitch-class set and the order that those elements appear in a scale.
Book

The Topos of Music