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Journal ArticleDOI

Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience:

Alf Gabrielsson, +1 more
- 01 Apr 1996 - 
- Vol. 24, Iss: 1, pp 68-91
TLDR
In this paper, nine professional musicians were instructed to perform short melodies using various instruments -the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners.
Abstract
Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed with regard to their physical characteristics, e.g. tempo, dynamics, timing, and spectrum. The main findings were that (a) the performer's expressive intention had a marked effect on all analysed variables; (b) the performers showed many similarities as well as individual differences in emotion encoding; (c) listeners were generally successful in decoding the intended expression; and (d) some emotional characters seemed easier to communicate than others. The reported results imply that we are unlikely to find performance rules independent of instrument, musical style, performer, or listener.

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Citations
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Journal ArticleDOI

Communication of emotions in vocal expression and music performance: different channels, same code?

TL;DR: A review of 104 studies of vocal expression and 41 studies of music performance reveals similarities between the two channels concerning (a) the accuracy with which discrete emotions were communicated to listeners and (b) the emotion-specific patterns of acoustic cues used to communicate each emotion as mentioned in this paper.
Journal ArticleDOI

The singing Neanderthals: The origins of music, language, mind, and body

TL;DR: Mithen argues that musicality is a fundamental part of being human, that this capacity is of great antiquity, and that a holistic protolanguage of musical emotive expression predates language and was an essential precursor to it as discussed by the authors.
Journal ArticleDOI

A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues

TL;DR: This paper found that listeners are sensitive to musically expressed emotion in an unfamiliar tonal system, and that this sensitivity is facilitated by psychophysical cues such as tempo, rhythmic complexity, melodic complexity, and pitch range.
Journal ArticleDOI

A comparison of the discrete and dimensional models of emotion in music

TL;DR: In this paper, the authors compare perceived emotions in music using two different theoretical frameworks: the discrete emotion model, and the dimensional model of affect, and propose a new, improved set of stimuli for the study of music-mediated emotions.
Journal ArticleDOI

Music and emotion: perceptual determinants, immediacy, and isolation after brain damage

TL;DR: The results show that emotional judgments are (a) highly consistent across subjects and resistant to brain damage; (b) determined by musical structure (mode and tempo); and (c) immediate.
References
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Journal ArticleDOI

An argument for basic emotions

TL;DR: This work has shown that not only the intensity of an emotion but also its direction may vary greatly both in the amygdala and in the brain during the course of emotion regulation.
Book

Emotion and Meaning in Music

TL;DR: Kraehenbuehl and McAllester as discussed by the authors studied the relationship between pattern and meaning in music, and provided a basis for meaningful discussion of emotion and meaning of all art.
Journal ArticleDOI

Vocal affect expression: a review and a model for future research

TL;DR: A "component patterning" model of vocal affect expression is proposed that attempts to rink the outcomes of antecedent event evaluation to biologically based response patterns and may help to stimulate hypothesis-guided research as well as provide a framework for the development of appropriate research paradigms.