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Journal ArticleDOI

Inviting audiences in

TLDR
The economic exigencies served by these strategies are examined in this article, where the authors argue that multiplatforming reconfigures and enables closer proximate proximate relationships between audiences, content and production.
Abstract
If content‐driven niche marketing gave rise to the industrial cultivation of fans, contemporary multiplatforming strategies accelerate encounters between audiences, television texts and spheres of production. Audiences are no longer merely cultivated as fans, but also invited in, asked to participate in both the world of the television text and the processes of its production. This paper first examines the economic exigencies served by these strategies. Why invite audiences in? Explored second are the means by which audiences are encouraged to enter both narrative space and the spaces of industrial production. How are audiences invited in? How do these strategies alter the spatial relationships of audiences, narrative and labor? Lastly, attention shifts toward the consequences of these new spatial arrangements between audiences, content and production. How does the proximity of audiences create new challenges for the industry? Ultimately, I argue that multiplatforming reconfigures and enables closer proxi...

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Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom

TL;DR: In this paper, the authors use the writer and actor Felicia Day as a case study through which to explore how stardom is changed by social media and argue for the concept of star texts of connection, in which audiences, industries and projects are unified through the creation of active, social, online star texts.
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Empowerment Through Endorsement? Polysemic Meaning in Dove's User-Generated Advertising

TL;DR: Duffield et al. as mentioned in this paper examined how issues of power, labor, and leisure were articulated among various contest participants through interviews, analysis, and observation, and found that the themes of creativity, authenticity, and empowerment converge and diverge.
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Tracing Attentions Toward an Analysis of Simultaneous Media Use

TL;DR: Examining industry discourses on simultaneous media to longer-standing interest in audience inattention provides a foundation from which critical scholars can engage with the multiscreen contexts in which audiences use new media, while criticizing the presumptions of interactivity at the heart of convergence culture.
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The BBC's Second-Shift Aesthetics: Interactive Television, Multi-Platform Projects and Public Service Content for a Digital Era:

TL;DR: In this article, the authors examine the BBC's early second-shift practices in relation to interactive television (iTV) and multi-platform projects, as the corporation moves from being a public service broadcaster to a content-provider.
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Restricted confessions? Blogging, subcultural celebrity and the management of producer–fan proximity

TL;DR: The authors argue that the debates surrounding weblogs, or blogs, have tended to displace attention from the ways in which specific media professionals have used blogging as a promotional tool, and suggest that this blogging actually reinforces the cultural and symbolic power of media producers, positioned as knowledgeable insiders, versus fans strictly defined as consumers.
References
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Book

The language of new media

Lev Manovich
TL;DR: In this article, Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography.
Book

Hamlet on the Holodeck: The Future of Narrative in Cyberspace

TL;DR: In "Hamlet on the Holodeck" as discussed by the authors, a world in which Homer's "Iyre" and Gutenberg's printing press have given way to virtual reality environments like the "Star Trek" ® holodeck, Murray analyzes the state of "immersion" of participating in a text to such an extent that you literally get lost in a story and obliterate the outside world from your awareness.
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The Language of New Media

Journal ArticleDOI

Free Labor: Producing Culture for the Digital Economy

Tiziana Terranova
- 01 Jun 2000 - 
TL;DR: In this article, the authors look at the Internet as a specific instance of the fundamental role played by free labor and highlight the connections between the digital economy and what the Italian autonomists have called the social factory.
Book

Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera

TL;DR: For instance, the authors argues that serial audiences have developed active strategies of consumption, such as collaborative reading and attempts to shape the production process, which has forced serial producers to acknowledge the power of the audience.
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